«There was always something to talk about. The avant-garde music that verged on conceptual art but was delivered at a relaxed and buoyant foxtrot. The memorable melodies that sat atop a virtuosic harmonic conception, emphasizing unexpected dissonances. The blues that were an unchanging constant. For those who couldn’t tell he was an unusual musician simply from listening, the visuals were a helpful guide: outrageously idiosyncratic percussive piano techniques and long, spastic dances, not to mention a wardrobe of impeccable flash and taste…»
Les mer av Ethan Iversons essay om Thelonious Monk i forbindelse med 100-årsdagen den 10. oktober i år på websidene til the New Yorker.